leni riefenstahl film

The films are widely considered two of the most effective, and technically innovative, propaganda films ever made. [9] At last making it back home on a bicycle, she found that American troops had seized her house. The German film director and photographer Leni Riefenstahl, who has died aged 101, will be remembered for two innovative, visually eloquent and lavishly funded documentaries, Triumph of … [18], In Triumph of the Will, Tom Saunders argues that Hitler serves as the object of the camera's gaze. In the 1930s, she directed the Nazi propaganda films Triumph des Willens ("Triumph of the Will") and Olympia, resulting in worldwide attention and acclaim. It was released in North America on February 19, 2016. Controversial film-maker Leni Riefenstahl, who made the Nazi propaganda film Triumph of the Will, has died aged 101. [56] They thought the film might symbolize the love-hate relationship between Germany and France. [31] Riefenstahl said this film was a sub-set of Der Sieg des Glaubens, added to mollify the German Army which felt it was not represented well in Triumph des Willens. Leni (Hélène Bertha Amelia) Riefenstahl, film-maker, born August 22 1902; died September 8 2003, The German film director and photographer whose career was curtailed by antipathy to her status as Hitler's favourite film-maker, Monumental and hypnotic: a still from Triumph of the Will. After Riefenstahl told him how much she admired his work, she also convinced him of her acting skill. [16] One of Fanck's films that brought Riefenstahl into the limelight was The White Hell of Pitz Palu of 1929, co-directed by G. W. [45] Afterwards, she left Poland and chose not to make any more Nazi-related films. Greenman's Leni revolves around the making of Triumph of the Will and has seen productions all over the United States. It is known today that many of them were murdered in concentration camps". Leni., based on the play by Tom McNab and directed by Adrian Vitoria, Hildegard Neil portrays Riefenstahl[93] preparing to give an interview in 1993. [46], Film scholar Mark Cousins notes in his book The Story of Film that, "Next to Orson Welles and Alfred Hitchcock, Leni Riefenstahl was the most technically talented Western film maker of her era". [79], When traveling to Hollywood, Riefenstahl was criticized by the Anti-Nazi League very harshly when wanting to showcase her film Olympia soon after its release. [5] The propaganda film was funded entirely by the NSDAP.[5]. [45] Riefenstahl reportedly wanted Sharon Stone to play her rather than Foster. Leni Riefenstahl, the German filmmaker whose daringly innovative documentaries about a Nazi rally in Nuremberg in 1934 and the Berlin Olympics … "[63], Riefenstahl began a lifelong companionship with her cameraman Horst Kettner, who was 40 years her junior and assisted her with the photographs; they were together from the time she was 60 and he was 20. The only reason why Leni Riefenstahl is acting in this film is that for the first time she was offered a role. [91], Riefenstahl was portrayed by Dutch actress Carice van Houten in Race, a sports drama film directed by Stephen Hopkins about Jesse Owens. [74][46], Riefenstahl celebrated her 101st birthday on 22 August 2003 at a hotel in Feldafing, on Lake Starnberg, Bavaria, near her home. [37], Olympia premiered for Hitler's 49th birthday in 1938. The controversial German film-maker Leni Riefenstahl, whose hypnotic depiction of Hitler's 1934 Nuremberg rally, Triumph of the Will, is renowned and reviled as the best propaganda film … [54] As Germany's military situation became impossible by early 1945, Riefenstahl left Berlin and was hitchhiking with a group of men, trying to reach her mother, when she was taken into custody by American troops. 1935. [45], In 2011, director Steven Soderbergh revealed that he had also been working on a biopic of Riefenstahl for about six months. Hun blev især berømt for sit kontroversielle arbejde som Hitlers chefinstruktør, som bl.a. [20] Hitler was a fan of the film, and thought Riefenstahl epitomized the perfect German female. [18] Photographs of a potentially distraught Riefenstahl survive from that day. She was 101. [88] He eventually abandoned the project over concerns of its commercial prospects. [29] The motion picture was generally recognized as an epic, innovative work of propaganda filmmaking. [9] After years of legal wrangling, these were returned to her, but the French government had reportedly damaged some of the film stock whilst trying to develop and edit it, with a few key scenes being missing (although Riefenstahl was surprised to find the original negatives for Olympia in the same shipment). She is described as fitting in with Hitler's ideal of Aryan womanhood, a feature he had noted when he saw her starring performance in Das Blaue Licht. '"[62] Even though she went on to win up to 50 libel cases, details about her relation to the Nazi party generally remain unclear. Riefenstahl became a favourite of German dictator Adolf Hitler in the 1930s, making films for his fascist regime. ), look at her films and her point of view. Riefenstahl is one of the protagonists of the story "Parachute" from the collection Even This Wildest Hope (2019) by Seyward Goodhand. [76] Kettner said in an interview in 2002, "Ms. Riefenstahl is in great pain and she has become very weak and is taking painkillers". [12] She began to paint and write poetry at the age of four. In her dressing room she is "visited" by herself as a young woman portrayed by Valeria Kozhevnikova at three stages/turning points in her life: as a dancer (1924), an actress (1929) and a director (1940). [19] He saw talent in Riefenstahl and arranged a meeting. Besides directing, Riefenstahl released an autobiography and wrote several books on the Nuba people. [citation needed], The 2017 video game Wolfenstein II: The New Colossus (which takes place in an alternative 1961 where the Nazis won World War 2) features a supporting character heavily implied to be Riefenstahl, voiced by actress Kristina Klebe. [59], Novelist and sports writer Budd Schulberg, assigned by the U.S. Navy to the OSS for intelligence work while attached to John Ford's documentary unit, was ordered to arrest Riefenstahl at her chalet in Kitzbühel, ostensibly to have her identify Nazi war criminals in German film footage captured by the Allied troops shortly after the war. Controversial film-maker Leni Riefenstahl, who made the Nazi propaganda film Triumph of the Will, has died aged 101. [69] She was guest of honour at the 1976 Olympic Games in Montreal, Quebec, Canada. [87] In 2007 British screenwriter Rupert Walters was reported to be writing a script for the movie. This occurs not in the familiar sequences of adoring women greeting Hitler's arrival and cavalcade through Nuremberg. Provided with access to Leni Riefenstahl's personal archives and film collection, the author explores her career. In the 2004 play Leni, by playwright Sarah Greenman, we meet two Leni Riefenstahls, one in the passionate prime of her youth and the other at the end of her life looking back. References This page wis last eeditit on 23 August 2017, at 20:39. Saunders continues, "The effect is a significant double transformation: the images mechanize human beings and breathe life into flags. Furthermore, that year Dr. Arnold Fanck (the film was produced in 1928) did shoot at the Olympic Winter Games in St. Moritz without actors. [88], In 1998 Neue Deutsche Härte band Rammstein released a cover of the Depeche Mode song "Stripped", accompanied by a video incorporating footage from Olympia. Her notable works included Triumph of the Will and a two-part film on … [72] On 22 August 2002, her 100th birthday, she released the film Impressionen unter Wasser ("Underwater Impressions"), an idealized documentary of life in the oceans and her first film in over 25 years. [16] She became inspired to go into movie making, and began visiting the cinema to see films and also attended film shows. ", "Gypsies' Fate Gaunts Film Muse of Hitler", "Pro-Nazi Filmmaker Leni Riefenstahl, 101, Dies", "The Wonderful, Horrible Life of Leni Riefenstahl", "Olympia in America, 1938: Leni Riefenstahl, Hollywood, and the Kristallnacht", "Her Films Glorified Hitler now Leni Riefenstahl's Story Hits the Screen", "Hitler's Filmmaker Leni Riefenstahl Celebrates 101st Birthday", "Steven Soderbergh Reveals He Dropped A Leni Riefenstahl Biopic To Do 'Contagion' Instead", "Art of Justice: The Filmmakers at Nuremberg", "Leni Riefenstahl: The Casualty of Triumph", "Leni: The Life and Work of Leni Riefenstahl, by Steven Bach", "Lonesome Leni: Wonderful, Horrible Life of Leni Riefenstahl", "Leni Riefenstahl, Film Innovator Tied to Hitler, Dies at 101", "What They Said About... Leni Riefenstahl", "Leni Riefenstahl – Propagandist For the Third Reich", International Committee of the Fourth International, "Where There's a Will: the Rise of Leni Riefenstahl", "Valeria Schulczová, Roman Olekšák: Leni", "Quentin Tarantino's 'Basterds' Is a Glorious Mash-up", Newspaper clippings about Leni Riefenstahl, Leni Riefenstahl's Triumph of the Will on MoMA Learning, The Wonderful Horrible Life of Leni Riefenstahl, Cleaning and disinfection of personal diving equipment, Swimming at the 1900 Summer Olympics – Men's underwater swimming, Confédération Mondiale des Activités Subaquatiques, Fédération Française d'Études et de Sports Sous-Marins, Federación Española de Actividades Subacuáticas, International Association for Handicapped Divers, Environmental impact of recreational diving, Table Mountain National Park Marine Protected Area, Finger Lakes Underwater Preserve Association, Maritime Heritage Trail – Battle of Saipan, Use of breathing equipment in an underwater environment, Failure of diving equipment other than breathing apparatus, Testing and inspection of diving cylinders, Association of Diving Contractors International, Hazardous Materials Identification System, International Marine Contractors Association, List of signs and symptoms of diving disorders, European Underwater and Baromedical Society, National Board of Diving and Hyperbaric Medical Technology, Naval Submarine Medical Research Laboratory, Royal Australian Navy School of Underwater Medicine, South Pacific Underwater Medicine Society, Southern African Underwater and Hyperbaric Medical Association, United States Navy Experimental Diving Unit, List of legislation regulating underwater diving, UNESCO Convention on the Protection of the Underwater Cultural Heritage, History of decompression research and development, Basic Cave Diving: A Blueprint for Survival, Bennett and Elliott's physiology and medicine of diving, Code of Practice for Scientific Diving (UNESCO), IMCA Code of Practice for Offshore Diving, ISO 24801 Recreational diving services — Requirements for the training of recreational scuba divers, The Silent World: A Story of Undersea Discovery and Adventure, List of Divers Alert Network publications, International Diving Regulators and Certifiers Forum, List of diver certification organizations, National Oceanic and Atmospheric Administration, World Recreational Scuba Training Council, Commercial diver registration in South Africa, American Canadian Underwater Certifications, Association nationale des moniteurs de plongée, International Association of Nitrox and Technical Divers, International Diving Educators Association, National Association of Underwater Instructors, Professional Association of Diving Instructors, Professional Diving Instructors Corporation, National Speleological Society#Cave Diving Group, South African Underwater Sports Federation, 14th CMAS Underwater Photography World Championship, Physiological response to water immersion, Russian deep submergence rescue vehicle AS-28, Submarine Rescue Diving Recompression System, Artificial Reef Society of British Columbia, Diving Equipment and Marketing Association, Society for Underwater Historical Research, Underwater Archaeology Branch, Naval History & Heritage Command, International Submarine Escape and Rescue Liaison Office, Submarine Escape and Rescue system (Royal Swedish Navy), Submarine Escape Training Facility (Australia), Neutral buoyancy simulation as a training aid, https://en.wikipedia.org/w/index.php?title=Leni_Riefenstahl&oldid=996518227, Short description is different from Wikidata, Articles with unsourced statements from September 2019, Articles needing additional references from September 2019, All articles needing additional references, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Film director, producer, screenwriter, photographer, actress, Hazard identification and risk assessment, This page was last edited on 27 December 2020, at 02:15. [18][19] Upon its 1938 re-release, the names of Balázs and Sokal, both Jewish, were removed from the credits; some reports say this was at Riefenstahl's behest. Still impressed with Riefenstahl's work, Hitler asked her to film Triumph des Willens ("Triumph of the Will"), a new propaganda film about the 1934 party rally in Nuremberg. Hinter den Kulissen des Reichsparteitag Films. By replacing diegetic sound, Riefenstahl’s film employs music to combine the documentary with the fantastic. It has gone on record that, immediately following the killings, Hitler ordered all copies of the film to be destroyed, although Riefenstahl disputes that this ever happened. [9] However, her mother, Bertha Ida (Scherlach), who had been a part-time seamstress before her marriage, had faith in Riefenstahl and believed that her daughter's future was in show business. The film was released in two parts: Olympia 1. [26] The film is sometimes considered the greatest propaganda film ever made. [9] Since Riefenstahl was the only child for several years, Alfred wanted her to carry on the family name and secure the family fortune. [9] Her mother was confident her daughter would grow up to be successful in the field of art and therefore gave her full support, unlike Riefenstahl's father, who was not interested in his daughter's artistic inclinations. [25] More than one million Germans participated in the rally. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period[4] when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light"). Often called Hitler's propagandist, she disclaimed knowledge of or any responsibility for the Holocaust, saying in 1997 to … [25] Riefenstahl received private funding for the production of Tiefland, but the filming in Spain was derailed and the project was cancelled. Leni Riefenstahl werd geboren in Wedding, een in Berlijn destijds als 'misdadigers- en arbeiderskolonie' bekend staand stadsdeel, als dochter van een loodgieter. [13] Riefenstahl's books with photographs of the Nuba tribes were published in 1974 and republished in 1976 as Die Nuba (translated as "The Last of the Nuba") and Die Nuba von Kau ("The Nuba People of Kau"). It's a fascinating, if somewhat long (188 min. [77] Riefenstahl died in her sleep at around 10:00 pm on 8 September 2003 at her home in Pöcking, Germany. [25] (When Tiefland was eventually shot, between 1940 and 1944, it was done in black and white, and was the third most expensive film produced during the Third Reich. [11], Riefenstahl fell in love with the arts in her childhood. Dancer, actress, mountaineer, and director Leni Riefenstahl's uncompromising will and audacious talent for self-promotion appeared unmatched--until 1932, when she met her future patron: Adolf Hitler. [62] She won more than fifty libel cases against people accusing her of having previous knowledge regarding the Nazi party. Although her 1934 documentary "Triumph of the Will" was the most dramatic and influential visual treatment of Nazism and the cult of Adolf Hitler, she maintained until the end that she was not a Nazi. [16] According to herself, Riefenstahl received invitations to travel to Hollywood to create films, but she refused them in favour of remaining in Germany with a boyfriend. Leni Riefenstahl, teljes nevén: Helene Bertha Amalie Riefenstahl (Berlin, 1902. augusztus 22. In a state where women played a secondary role to men, Riefenstahl was given a free hand by Hitler to produce propaganda films for the Nazi regime. Recipient(s) will receive an email with a link to 'Leni Riefenstahl' and will not need an account to access the content. [53], In October 1944 the production of Tiefland moved to Barrandov Studios in Prague for interior filming. Ernst Iros in Experiment in the Film, edited by Roger Manvell. [16][9], Riefenstahl produced and directed her own work called Das Blaue Licht ("The Blue Light") in 1932, co-written by Carl Mayer and Béla Balázs. The films were filmed simultaneously in English and German and produced and distributed by Universal Studios. [46], Film journalist Sandra Smith from The Independent remarked, "Opinions will be divided between those who see her as a young, talented and ambitious woman caught up in the tide of events which she did not fully understand, and those who believe her to be a cold and opportunist propagandist and a Nazi by association. "[45] She later explained, "Everyone thought the war was over, and in that spirit I sent the cable to Hitler". [34] She was one of the first filmmakers to use tracking shots in a documentary,[35] placing a camera on rails to follow the athletes' movement. While heralded by many as outstanding colour photographs, they were harshly criticized by Susan Sontag, who wrote in a review that they were further evidence of Riefenstahl's "fascist aesthetics". [16] At a meeting arranged by her friend Gunther Rahn, she met Arnold Fanck, the director of Mountain of Destiny and a pioneer of the mountain film genre. In 1993, Riefenstahl was the subject of the award-winning German documentary film The Wonderful, Horrible Life of Leni Riefenstahl, directed by Ray Müller. Lady Helene is later met face to face and she is seen to closely resemble Riefenstahl. lavede den meget berømte og imponerende propagandafilm Triumph des Willens. – Pöcking, 2003. szeptember 8. Leni Riefenstahl on the set of “Olympia” Leni Riefenstahl was … [32], Hitler invited Riefenstahl to film the 1936 Summer Olympics scheduled to be held in Berlin, a film which Riefenstahl said had been commissioned by the International Olympic Committee. You exceed anything human imagination has the power to conceive, achieving deeds without parallel in the history of mankind. [38] In February 1937, Riefenstahl enthusiastically told a reporter for the Detroit News, "To me, Hitler is the greatest man who ever lived. Nachdem Riefenstahl ihre ursprünglich eingeschlagene Tanzkarriere aufgrund einer Knieverletzung beenden musste, etablierte sie sich während der 1920er Jahre in der Weimarer Republik als Schauspielerin im Bergfilm­genre. Members of Rammstein praised Riefenstahl's filmmaking abilities and aesthetic choices in a 2011 documentary of the making of the video, particularly the imagery of the athletes, while simultaneously disassociating themselves from her politics. [30], In interviews for the 1993 documentary The Wonderful, Horrible Life of Leni Riefenstahl, Riefenstahl adamantly denied any deliberate attempt to create Nazi propaganda and said she was disgusted that Triumph des Willens was used in such a way. [56] Cocteau's illness and 1963 death put an end to the project. [9] However, it was denied entry into the Cannes Film Festival. Send Email. [62] She was also under house arrest for a period of time. The men remain ants in a vast enterprise. Leni Riefenstahl, Der Triumph des Willens (Triumph of the Will), 1936, film. At the start of “The Wonderful, Horrible Life of Leni Riefenstahl,” Riefenstahl — nearing 100, smiling, vibrant in a blue wetsuit with yellow stripes down its arms — is scuba diving. [47] Riefenstahl and Jacob divorced in 1946. Leni Riefenstahl's career included work as a dancer, actress, film producer, director, and also a photographer, but the rest of Leni Riefenstahl's career was shadowed by her history as a documentary maker for Germany's Third Reich in the 1930s. Teil — Fest der Schönheit (Festival of Beauty). German film director, photographer, actress, dancer, and Nazi propagandist, (from a 1930s postcard honoring Riefenstahl for the, Africa, photography, books and final film, sfn error: multiple targets (2×): CITEREFTrimborn2008 (, The Wonderful, Horrible Life of Leni Riefenstahl, Learn how and when to remove this template message, "Award to German filmmaker spurs debate on her role as propagandist", Historical Journal of Film, Radio and Television, "Helene Bertha Amalie "Leni" Riefenstahl (August 22 1902 – September 8 2003)", "Salem Senior Loughry Could Be World's Oldest Female Scuba Diver", "Jodie Foster film about Hitler aide angers Jews", "Weeds Episode Scripts N/A – It's Time (Part 1)", "Interview: Kristina Klebe (Hellboy, Slay Belles, Halloween)", Hutchins Center for African and African American Research, "Before Steven Speilberg there Was Leni Riefenstahl! [94][95], Riefenstahl appears in the 2019 film Hellboy portrayed again by Kristina Klebe.[94]. [14] Riefenstahl had high hopes for a collaboration with Cocteau called Friedrich und Voltaire ("Friedrich and Voltaire"), wherein Cocteau was to play two roles. [60] Riefenstahl said she was not aware of the nature of the internment camps. Leni Riefenstahl, the German filmmaker whose daringly innovative documentaries about a Nazi rally in Nuremberg in 1934 and the Berlin Olympics … Saunders writes, "Without denying that “rampant masculinity” (the “sexiness” of Hitler and the SS) serves as the object of the gaze, I would suggest that desire is also directed toward the feminine. [13], Riefenstahl said that her biggest regret in life was meeting Hitler, declaring, "It was the biggest catastrophe of my life.

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