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johannes passion bach

8 8 -  0.0/10 (-) - V/V/V - 7558×⇩ - KGill, Clarinet 1/2 (A, B♭, C)(alternate for oboe d'amore and oboes da caccia) The compiler of the additional poetry is unknown. 0.0/10 0.0/10 0.0/10 2 0.0/10 (-) - V/V/V - 7773×⇩ - KGill, ⇒ 8 more: Oboe 1, 2, Oboe d'amore/Oboe da caccia 1/2 • Clarinet 1/2 (A, B♭, C) / (alternate for oboe d'amore and oboes da caccia) • Cembalo • Organ • Violins I • Violins II • Violas • Continuo (Bassoon, Cellos/Basses), Oboe 1, 2, Oboe d'amore/Oboe da caccia 1/2 4 "O Mensch, bewein dein Sünde groß", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions. Bach, St John Passion, BWV245. 8 10 *#455031 - 3.94MB, 4 pp. 10 6 *#04754 - 3.07MB, 122 pp. 4 8 2 -  2 10 (-) - V/V/V - 20×⇩ - BachFan, 3. -  (-) - !N/!N/!N - 440×⇩ - Alex'Not, PDF typeset by arranger [8], For the central chorale (#22) "Durch dein Gefängnis, Gottes Sohn, muß uns die Freiheit kommen" ("Through Your prison, Son of God, must freedom come to us) Bach adapted the words of an aria from the Johannes-Passion of Christian Heinrich Postel (1700) and used the melody of "Mach's mit mir, Gott, nach deiner Güt" by Johann Hermann Schein. Camilla Tilling, Soprano. -  10 4 (-) - V*/C*/V* - 2866×⇩ - Matthieu, Flute 1 (EU) *#81199 - 61.31MB, 96 pp. It was written during Bach's first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. Anonymus 403 = Anonymus J. S. Bach III (Blechschmidt) = Chief Scribe of the Amalienbibliothek. 10 10 0.0/10 Move over photo to zoom. 8 -  (-) - !N/!N/!N - 8775×⇩ - A. Armendáriz, PDF typeset by editor -  4 (-) - C*/69*/V* - 289×⇩ - Marchesa, Continuo (Cellos, Basses, Keyboards) (EU) 0.0/10 4 8 A Deák téri János passió-előadások kulisszatitkaiból I. (-) - !N/!N/!N - 90×⇩ - Cellofan, PDF scanned by Orfeo Mandozzi 10 33 reads "Und die Vorhang im Tempel zerriß in zwei Stück; von oben an bis unten aus." [20] Fred Wolle, with his Choral Union of 1888 at the Moravian town of Bethlehem, Pennsylvania, was the first to perform the St John Passion in the Americas. -  2 Part Two shows three scenes, one with Pontius Pilate, one at Golgatha, and the third finally at the burial site. 10 0.0/10 *#105296 - 8.70MB, 276 pp. 6 ... Sir John Eliot Gardiner conducts Bach's St John Passion. 8 *#566151 - 1.67MB, 22 pp. Marc Lanoiselée (2012/3/31), Synthesized audio Ivdruiz (2010/10/9), Complete Score 8 0.0/10 (-) - !N/!N/!N - 3054×⇩ - Reccmo, Flute 1/2 Originally Bach intended that the St John Passion would be first performed in the St. Thomas Church in Leipzig, but due to a last-minute change by the music council, it was first performed on Good Friday (as observed by German Protestants) of 1724 in the St. Nicholas Church, shortly after Bach's 39th birthday. 8 6 4 Free Pianist (2016/11/6), Synthesized audio 10 Die Zahlen legen nahe, dass beinahe alle Kunden mit Johannes passion durchaus zufrieden sind. 2 -  8 10 Geeignet fü,r den fortgeschrittenen Klavierunterricht. 6 -  4 4 10 4 10 10 -  4 -  8 International Music Score Library Project, Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=St_John_Passion&oldid=995000759, Passions and oratorios by Johann Sebastian Bach, Articles with unsourced statements from April 2018, Articles with unsourced statements from October 2017, Wikipedia articles needing clarification from September 2017, Articles with unsourced statements from January 2017, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. 2 2 10 2 2 0.0/10 (-) - V/V/V - 4074×⇩ - KGill, Organ [2] Sometimes while listening to the St John Passion today one can sense an older feel to some of the music, and some scholars believe that those portions are the surviving parts of the Weimar Passion. 8 Lina Dambrauskaite, Soprano. 10 6 From 1725 on, this was replaced by the more familiar 7-measure quote from Matthew 27: 51–52 (except in the 3rd version, in which this was taken out altogether). 4 8 *#455027 - 44.78MB, 124 pp. 0.0/10 0.0/10 4 However, the St John Passion is an almost complete Lutheran liturgy, focused on the Evangelium. 6 *#219614 - 0.09MB, 4 pp. (-) - !N/!N/!N - 2379×⇩ - Reccmo, ⇒ 4 more: Soprano (G clef) • Flute 1/2 • Continuo • Engraving files (Finale), Soprano (G clef) 4 6 *#495939 - 0.04MB, 1 pp. 0.0/10 *#56990 - 4.83MB, 15, 15 pp. 2 0.0/10 4 -  0.0/10 Englische Übersetzung von/English translation by Henry D. Drinker. (-) - !N/!N/!N - 387×⇩ - Reccmo, Tenor- and Bass recorder Zeig uns durch deine Passion, daß du, der wahre Gottessohn, zu aller Zeit, auch in der größten Niedrigkeit, verherrlicht worden bist. 10 8 arranger (2015/4/28), Complete Libretto 10 Michael Marissen's Lutheranism, Anti-Judaism, and Bach's 'St John's Passion' examines the controversy in detail. Manutlse (2019/6/16), Complete Score 8 (-) - !N/!N/!N - 547×⇩ - Marc Lanoiselée, ZIP typeset by arranger 6 (-) - V/V/V - 704×⇩ - BachFan, Complete Score Chorale: O große Lieb, o Lieb ohn alle Maße, 5. (-) - !N/!N/!N - 158×⇩ - MimoS, Engraving files (Sibelius) 2 6 0.0/10 (-) - V/V/V - 958×⇩ - Carolus, Complete Score (Parts I-II) (EU) *#00937 - 2.57MB, 40 pp. 6 Johannes-Passion Bwv 245 Kleine Präludien + Fughetten. -  2 8 8 -  8 2 Geeignet fü,r den fortgeschrittenen Klavierunterricht. 2 0.0/10 *#22966 - 41.06MB, 9 pp. *#195898 - 0.00MB - 0:31 -  Alex'Not (2019/10/6), Complete Scores and Parts (Bb, A) (-) - V/V/V - 1547×⇩ - Romanov76110, PDF scanned by Unknown 4 *#219612 - 0.09MB, 3 pp. 4 8 2 Partial Holograph manuscript, n.d.[1739-49]. [2] It was written during Bach's first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. 10 10 2 (-) - !N/!N/!N - 1960×⇩ - Reccmo, PDF typeset by arranger Bach followed the Gospel of John but added two lines from the Gospel of Matthew, the crying of Peter and the tearing of the veil in the temple (in Version I, this second line was replaced by the line from the Gospel of Mark). -  In 1725, Bach replaced the opening and closing choruses and added three arias (BWV 245a-c) while cutting one (Ach, mein Sinn) from the original version. 8 -  (-) - V/V/V - 3701×⇩ - KGill, Violins I Op 7 april van dat jaar, Goede Vrijdag, werd *#558337 - 150.44MB, 529 pp. 0.0/10 *#495942 - 0.04MB, 1 pp. For special colors Bach also used lute, viola d'amore and viola da gamba, instruments that were already old-fashioned at the time. 0.0/10 2 (-) - !N/!N/!N - 1716×⇩ - Hamilton. 4 Matthieu (2011/5/25), Cellos/Basses/Viola da gamba Reccmo (2012/4/15), Complete Score 10 8 6 Two recitative passages, the first dealing with Peter's weeping after his betrayal and the second portraying the temple veil's ripping during the crucifixion, do not appear in the Gospel of John, but the Gospel of Matthew.[15]. 0.0/10 6 (-) - C*/69*/V* - 309×⇩ - Marchesa, Violins I (EU) 4 0.0/10 (-) - !N/!N/!N - 241×⇩ - Michrond, ZIP typeset by arranger 2 10 4 Music event in Hamburg, Germany by ProArte - Klassik für Hamburg on Friday, April 2 2021 -  (-) - C*/69*/V* - 4610×⇩ - Marchesa, Soprano (C clef) The St John Passion is written for an intimate ensemble of soloists, four-part choir, strings and basso continuo and pairs of flauti traversi and oboes, the latter both doubling on oboe da caccia. 4 (-) - !N/!N/!N - 56×⇩ - Alex'Not, Complete Score and Trumpet Part 0.0/10 De Johannes-Passion (BWV 245) van Johann Sebastian Bach is een oratorium met als onderwerp het lijden en sterven van Jezus volgens het evangelie van Johannes. 4 [11] Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work, such as that of the Neue Bach-Ausgabe (and heard in the recording by Emmanuel Music directed by Craig Smith, cited below).[12]. 6 -  0.0/10 (-) - !N/!N/!N - 175×⇩ - MP3 - Michrond, Synthesized audio 2 Aria: 'Ich folge dir gleichfalls' 10 10 6 0.0/10 10 -  *#427331 - 0.22MB, 16 pp. 15. -  (-) - V/V/V - 29820×⇩ - Ivdruiz, PDF scanned by Bach Digital 6 (-) - !N/!N/!N - 542×⇩ - Manutlse, PDF typeset by arranger 8 -  0.0/10 0.0/10 [15] He also excised the two interpolations from the Gospel of Matthew that appeared in the work, probably due to objections by the ecclesiastical authorities. 10 Klavier Urtextausgabe von Johann Sebastian Bach´,s Prä,ludien und Fughetten in mittelschweren Sä,tzen. 4 6 8 6 8 4 Textos en alemán y español. 2 *#195876 - 0.04MB, 1 pp. Reccmo (2012/5/15), Synthesized performance 2 2 10 8 6 While he was working as Konzertmeister (1714–1717) in Weimar, Bach possibly wrote a Passion, known as the Weimarer Passion, but it is now lost. Bach first performed the oratorio in 1724 and revised it in 1725, 1732, and 1749, adding several numbers. (-) - V/V/V - 382×⇩ - Afp0815, 3 later Title Pages *#93614 - 0.15MB, 1 pp. (-) - !N/!N/!N - 2291×⇩ - Reccmo, Engraving files (PMX) 10 0.0/10 4 10 Chorus: 'Dein Will gescheh' (Textless) (EU) (-) - V/V/V - 520×⇩ - BachFan, Part I 2 (-) - !N/!N/!N - 8823×⇩ - Reccmo, 9. 4 2 Chorale: Peter, who does not think back, 17. 0.0/10 2 6 Theme quoted in Beethovens Cello and Piano Sonata Nr. *#502746 - 0.29MB, 12 pp. 6 -  -  In present-day performances the part of Jesus is given to one bass soloist, Pilate and the bass arias to another. 6 8 -  (-) - V/V/V - 4068×⇩ - KGill, Continuo (Bassoon, Cellos/Basses) Monteverdi Choir. Sallen112 (2018/1/7), ⇒ 6 more: Part I • Part II • Anhang 1-3 • Anhang 1: Nos.1-10 (Early Version) • Anhang 2: Revisions for only Version II • Anhang 3: Text revisions in Nos.9, 19, 20 (Version IV), 39 (later), Part I (EU) 4 The architecture of Part Two shows symmetry around this movement, the music of the preceding chorus #21f "Wir haben ein Gesetz" corresponds to #23b "Lässest du diesen los", the demand #21d "Kreuzige ihn!" (-) - V/V/V - 239×⇩ - BachFan, Viola da gamba (No.30), Organ (No.19) 8 *#271213 - 3.39MB, 23 pp. 6 (-) - !N/!N/!N - 562×⇩ - RussBart, PDF typeset by arranger 2 6 6 2 Die Passio Secundum Johannem zählt zu Bachs bedeutendsten Werken und gilt als einer der wichtigsten abendländischen Kulturbeiträge überhaupt. (-) - !N/!N/!N - 1313×⇩ - Reccmo, Complete Score *#219619 - 0.00MB - 0:33 -  *#566158 - 0.32MB, 4 pp. 8 More info Buy tickets. (-) - !N/!N/!N - 2138×⇩ - Hamilton. [clarification needed][19], In the summer of 1815, Bach's Passions began to be studied once again. Coro: Ruht wohl, ihr heiligen Gebeine, 40. Passions composed by Bach. Although interesting is that the last version largely corresponds to the first version, it is expanded however in the instrumental range. *#375844 - 0.12MB, 4 pp. 0.0/10 Michrond (2016/6/19), Engraving files (Finale & XML) [18] To augment these chapters, which he summarized in the music, Bach used an elaborate body of commentary consisting of hymns, which were often called chorales, and arias. [5] Compared with the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished".[6]. (-) - V/V/V - 9078×⇩ - KGill, Oboe 2/Oboe d'amore/Oboe da caccia/English horn 4 2 *#56996 - 2.29MB, 19 pp. 6 Chorale: O great love, o love beyond all measure, 5. -  0.0/10 0.0/10 10 Vielmehr hat dieser sein Opus zugunsten mehrmaliger Verwendbarkeit situativ angepasst, was sich bes… 8 8 6 *#219611 - 0.09MB, 3 pp. 8 10 4 2 *#93613 - 0.51MB, 3 pp. (-) - V/V/V - 60×⇩ - BachFan, Flute 1, 2 397 from Evangelisches Gesangbuch (EG). 0.0/10 Albrights (2015/6/12), Complete Scores and Parts (Bb, A) (-) - V/V/V - 4627×⇩ - MW, Complete Score Chorus: 'Wer hat dich so geschlagen' (Textless) (EU) 2 Models are the Brockes Passion and a Johannes-Passion by Christian Heinrich Postel. [2] Unlike the St Matthew Passion, to which Bach made very few and insignificant changes, the St John Passion was subject to several major revisions. 2 Have one to sell? [22] He used Martin Luther's translation of the Bible with only slight modifications. 6 • Switch back to classic skin, Aria: 'Ich folge dir gleichfalls mit freudigen Schrillen' (No.10), Chorus: 'Lasset uns den nicht zerteilen' (No.27b), Choral: 'Ach Herr, laß dein lieb’ Engelein' (No.40), Chorale: 'Ach Herr, laß dein lieb Engelein' (No.40), Chorus: 'Herr, Herr, unser Herrscher!' 6 [13] The version most familiar to us today is not the original version from 1724, but rather the version of 1739–1749. *#56992 - 7.51MB, 72 pp. pp. 2 *#271211 - 4.19MB, 29 pp. 6 0.0/10 *#219616 - 0.02MB - 5:09 -  2 *#502747 - 0.32MB, 19 pp. 0.0/10 Chorus: 'Ach großer König' (Textless) • 26. Massenetique (2011/9/8), Complete Score 10 6 *#56997 - 4.89MB, 42 pp. 4 10 4 Parts of the St John Passion were being rehearsed and the St Matthew Passion was soon to follow. Partial Holograph manuscript, n.d.[1724-49]. 6 10 (-) - !N/!N/!N - 3276×⇩ - Marc Lanoiselée, PDF typeset by arranger 4 M.kowalski49 (2013/2/25), Violins II (EU) 2 10 2 4 -  0.0/10 10 4 0.0/10 0.0/10 6 The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members. 2 (-) - !N/!N/!N - 1008×⇩ - MID - Reccmo, MID file (audio/video) 10 10 4 Die teils deutlich divergierenden Fassungen I bis IV zeugen jedoch nicht  wie oft angenommen  von einer generellen Unzufriedenheit Bachs mit dem Werk. 8 8 Sallen112 (2017/10/8), ⇒ 4 more: 5. 2 (-) - !N/!N/!N - 2535×⇩ - Reccmo, Continuo [23] The text for the opening prayer, "Herr, unser Herrscher, dessen Ruhm", as well as the arias, chorales and the penultimate chorus "Ruht wohl, ihr heiligen Gebeine", come from various other sources. 2 (-) - C*/69*/V* - 286×⇩ - Sallen112, Anhang 2: Revisions for only Version II (EU) *#507891 - 3.64MB, 48 pp. -  No. -  8 BWV 244 – St Matthew Passion (Matthäus-Passion) BWV 244b – St Matthew Passion, early version(s) BWV 245 – St John Passion (Johannes-Passion), various versions, including: St. John Passion, 2nd version, with opening chorus "O Mensch, bewein dein Sünde groß" (1725), BDW 00308, containing: . In the early 1950s musicians were allowed to play church music only in the frame of liturgy. 0.0/10 Bach, Johann Sebastian: Opus/Catalogue Number Op./Cat. (-) - C*/N*/V* - 75×⇩ - Sallen112, 17. *#121420 - 0.05MB, 3 pp. -  4 Exactly four versions of the Johannes Passion designed Bach in a quarter-century after 1724. Coro: Lord, our Lord, whose glory is magnificent in all the earth! More info Buy tickets. 4 -  0.0/10 0.0/10 (-) - C*/69*/V* - 916×⇩ - Sallen112, Part II (EU) 8 English Baroque Soloists. -  8 6 Reccmo (2011/12/6), ⇒ 4 more: Descant- and Treble recorder • Tenor- and Bass recorder • Continuo • Engraving files (Encore), Descant- and Treble recorder 10 8 Chorale: Christ, who makes us blessed, (2) Between the first and second part of the Passion, the priest gives a very short, This page was last edited on 18 December 2020, at 17:39. 0.0/10 (-) - V*/C*/V* - 1240×⇩ - Matthieu, PDF scanned by Matthieu (-) - !N/!N/!N - 286×⇩ - Alex'Not, Complete Score 2 (-) - C*/69*/V* - 3708×⇩ - M.kowalski49, PDF scanned by Unknown 10 -  *#566152 - 1.52MB, 20 pp. 6 10 0.0/10 [28] This accusation is closely connected to a wider controversy regarding the tone of the New Testament's Gospel of John with regards to Judaism. $44.26 + $2.10 shipping . The first scene is in the Kidron Valley, and the second in the palace of the high priest Kaiphas. 8 *#566155 - 1.62MB, 19 pp. (-) - !N/!N/!N - 2076×⇩ - arranger, PDF typeset by arranger 8 2 4 [4][15], In the 1730s, Bach revised the St John Passion again, restoring the original opening chorus, removing the final Chorale (thus ending the work with the choral Movement No. 6 8 (-) - V/V/V - 200×⇩ - Albrights, PDF scanned by Unknown 6 6 IJB 347 Movements/Sections Mov'ts/Sec's: 2 parts, 40 (NBA) or 68 (BWV) numbers Detailed listing; Year/Date of Composition Y/D of Comp. 10 6 0.0/10 (-) - V/V/V - 68×⇩ - BachFan, Fragmentary realisation 8 4 Chorale: Through thy captivity, Son of God has come to us the freedom, 28. -  8 Chorale: O hilf, Christe, Gottes Sohn, 39. The Passio secundum Joannem or St John Passion[1] (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. 4 (-) - !N/!N/!N - 299×⇩ - RussBart, Complete Score 4 6 4 6 8 10 10 0.0/10 4 2 6 0.0/10 -  Chorus: 'Dein Will gescheh' (Textless) • 11. 0.0/10 2 10 -  Chorale: Thy will be done, Lord God, at the same time, 14. *#219613 - 0.12MB, 3 pp. -  2 8 [18] The text for the body of the work is taken from the Gospel of John chapters 18 and 19. 6 (-) - !N/!N/!N - 1336×⇩ - MID - Reccmo, Synthesized Performance *#507890 - 11.86MB, 164 pp. -  2 0.0/10 The anonymous libretto draws on existing works (notably Brockes') and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. 6 *#271214 - 8.19MB, 54 pp. pp. 8 (-) - !N/!N/!N - 56×⇩ - Alex'Not, Complete Scores and Parts (Bb, G) -  2 (-) - V/V/V - 390×⇩ - Sallen112, 9. 8 4 6 8 6 2 8 -  0.0/10 -  *#566157 - 0.32MB, 4 pp. -  2 8 4 6 0.0/10 10 4 6 -  10 *#334869 - 0.48MB, 16 pp. -  *#427333 - 3.88MB - 4:14 -  Image not available. 4 2 Bach, J. S. Johannes-Passion / St. John Passion BWV 245. (-) - !N/!N/!N - 140×⇩ - Uranux, PDF typeset by arranger 4 6 2 (-) - V/V/V - 3888×⇩ - KGill, Violas 4 -  *#624884 - 1.11MB, 21 pp. *#507895 - 3.13MB, 53 pp. 0.0/10 10 6 8 4 Marc Lanoiselée (2012/3/31), Engraving files (Finale) 0.0/10 Reccmo (2011/12/6), Synthesized performance Partial Holograph manuscript, n.d.[1724]. .Oreo, Complete Score and Parts Chorus: 'In meines Herzens Grunde' (Textless), 5. 2 0.0/10 4 -  10 8 2 Johann Sebastian Bach Johannes Passion vinyl LP album record German 14328/30. *#204923 - 0.02MB, ? 6 2 (-) - C*/N*/V* - 89×⇩ - Sallen112, Content is available under the Creative Commons Attribution-ShareAlike 4.0 License -  [12] Also, Bach's orchestra for this piece would have been very delicate in nature because he called for many gamba strings. 6 .Oreo, PDF typeset by editor 4 8 4 1. 6 10 (-) - V/V/V - 116×⇩ - BachFan, Complete Parts (-) - !N/!N/!N - 221×⇩ - Coulonnus, ZIP typeset by arranger [29], Lukas Foss, who came to the United States in 1937 as a Jewish refugee from Nazi Germany, changed the text from "Juden" to "Leute" (people) when he conducted performances of the work. *#345452 - 62.91MB, 27 pp. -  Johannes-Passion Bwv 245 Kleine Präludien + Fughetten. Aria: 'Zerfließe, mein Herze' 4 -  Chorale: O Lord, let your dear little angels. 2 6 -  2 10 Johannes passion - Die ausgezeichnetesten Johannes passion auf einen Blick! (No.1), For 4 Violins, 2 Violas and 2 Cellos (Bartoli), Aria: 'Von den Stricken meiner Sünden' (No.7), For C Treble Instrument and Organ (Brunet), For Bb Treble Instrument and Keyboard (Brunet), Chorale: 'Wer hat dich so geschlagen' (No.15), Chorale: 'In meines Herzens Grunde' (No.26), Coro: 'Lasset uns den nicht zerteilen' (No.27b), Chorale: 'Ach Herr, laß dein lieb’ Engelein' (No.40), D Johannes-Bassioon vom Johann Sebastian Bach, for bb treble instrument and keyboard (arr), Creative Commons Attribution-NonCommercial 4.0, Creative Commons Attribution Non-commercial Share Alike 3.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0, Creative Commons Attribution-ShareAlike 4.0, http://imslp.org/index.php?title=Johannespassion,_BWV_245_(Bach,_Johann_Sebastian)&oldid=3163973, Scores published by Wiener Philharmonischer Verlag, Pages with items from the Neue Bach-Ausgabe, For bb treble instrument and keyboard (arr), Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License, 1724, rev.1725, 1728-32, 1749, 1739-49 (final form, never performed during Bach's lifetime), Montréal: Les Éditions Outremontaises, 2015.

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